Monday, May 18, 2009

Draft: Elevator#1 & Madonna's space &Miuccia Prada's Space

Elevator #1:
The Oval rings are used to represent the power and have great influence to the rest of the world Two clients both concern a lot about the politics, economic and environment. People travelling inside the elevator is controlled and influenced by them.




Madonna's Space: Since Madonna concern the environment and contribute a lot towards the rest of the world.


Miuccia Prada's Space:
The top level is Miuccia Prada's main office. To show her influence in the world's clothing and accessories industry, by constructing her office on the top level and with largest space. The top level covered the lower level, this shows that Miuccia is fully controlling the rest of the department and the movement in the world.

Saturday, May 16, 2009

Monday, May 11, 2009

Sunday, May 10, 2009

Tuesday, May 5, 2009

Monday, May 4, 2009

FileFront (UT2004 map)

http://files.filefront.com/DM+ARCH1101+RINA+YUEN+MINNut2/;13706252;/fileinfo.html

Final submission (UT2004 environment)

Overview:





Jacques-yves Cousteau's lab locates under the sun gives a connection between the building and the environment. This link back to his quotes as he considered the nature in the world, "gravity", "earth", "man".



Lab for Jacques-yves Cousteau:

Exterior of the lab: the squares grow accendingly in size as to emphasis the "gravity" mentioned in the quote of Cousteau.

Entrance to Cousteau's lab

Ceiling in the lab
Interior (working space) : The sharp, red cone hanging on the ceiling represents the volcanoes and lava below the earth crust. This provides the viewers an environment that mentioned in the quote of Cousteau "sink beneath the surface".






Lab for Keith Campbell:


The torch shaped lab shows Campbell's passion on his research and work. The interlocking of the sheets represents the harmonic connection and trust between people which Campbell has emphasised in his interview, "believe each other....the validity of the data".





Meeting place and the Ramp: